Score editor

ⓒ Sebastian Comsa

Hans Schellevis prepared the critical edition of the first version of Rossini’s magnificent Maometto secondo. His edition was first performed in Santa Fe. Since then it has been heard at least in Garsington, Rome, Rostock, and will now be heard in Toronto.
This is a complicated opera to do, since there is no simple source for it. The work underwent several important revisions, including a French version. Mr. Schellevis has been very attentive to these problems, and did wonderful work on the score. We are looking forward to its joining the 
Works of Gioachino Rossini, published by Bärenreiter, soon, and I have every reason to believe that Mr. Schellevis will complete his work with his usual gusto. It has been a particular pleasure to work with him.”
— Philip Gossett

 

Since 2006 Hans Schellevis has worked as score editor for companies as Opera Rara in London (Mercadante: Virginia and Donizetti: Parisina) and NTR-ZaterdagMatinee (Donizetti: Caterina Cornaro). In 2015 he published a critical edition of Cherubini’s Missa pro defunctis (Requiem) for Bärenreiter and in 2016 a new critical edition of Mayr’s Ginevra di Scozia (Ricordi). His most recent publication is a critical edition of Gounod’s Messe en honneur de Ste Cécile for Bärenreiter (2017), and at a later stage Debussy’s Images pour orchestra, Puccini’s Messa di Gloria for Bärenreiter (publ. 2018), Donizetti’s Caterina Cornaro (Masterworks of Italian Opera, Bärenreiter-Verlag), Verdi’s Aroldo (Ricordi) and Maometto secondo for Bärenreiter’s Rossini Edition will follow (publ. 2019).

Hans Schellevis werkt sinds 2006 als score editor voor ondermeer Opera Rara in Londen (Mercadante: Virginia en Donizetti: Parisina) en ZaterdagMatinee (Donizetti: Caterina Cornaro). In 2015 publiceerde hij een kritische uitgave van Cherubini’s Missa pro defunctis (Requiem) voor Bärenreiter en in 2016 een nieuwe kritische editie van Mayr’s Ginevra di Scozia voor Ricordi. Zijn recentste publicatie is een kritische editie van Gounod’s Messe en honneur de Ste Cécile voor Bärenreiter (2017), en in een later stadium volgen Debussy’s Images pour orchestre en Puccini’s Messa di Gloria voor Bärenreiter (publ. 2018), Donizetti’s Caterina Cornaro (Masterworks of Italian Opera, Bärenreiter-Verlag), Verdi’s Aroldo (Ricordi) en Maometto secondo voor Bärenreiter’s Rossini Editie (publ. 2019).

 

RECENT PUBLICATIONS

FULL SCORES

Charles Gounod
Messe solennelle en honneur de Ste Cécile
critical edition Bärenreiter (BA 8966)

Giovanni Simone Mayr
Ginevra di Scozia
critical edition Ricordi (Sy. 8013)

Luigi Cherubini
Missa pro defunctis (Requiem)
critical edition Bärenreiter (BA 8961)

Saverio Mercadante
Virginia 2007 (Opera Rara) (ORC39)

Gaetano Donizetti
Parisina 2008 (Opera Rara) (ORC40)
Caterina Cornaro 2010 (ZaterdagMatinee)
(full score, vocal score and parts) click for rental enquiry

Constant van de Wall
Attima 2008 (Stichting Attima)

Henk Badings
Six Images 2009 (Muziek Centrum Nederland)


VOCAL SCORES

Saverio Mercadante
Virginia 2007 (Opera Rara) (ORC39)

Gaetano Donizetti
Parisina 2008 (Opera Rara) (ORC40)
Caterina Cornaro 2010 (ZaterdagMatinee)
(full score, vocal score and parts) click for rental enquiry

Franz Schubert
Fierabras Bärenreiter (BA5557-90)

Antonio Salieri
Prima la musica e poi le parole (Anhang) Bärenreiter (BA 8811-90)

Luigi Cherubini
Missa pro defunctis (Requiem) Bärenreiter (BA 8961-90)

Charles Gounod
Messe solennelle en honneur de Ste Cécile Bärenreiter (BA 8966-90)


FUTURE PUBLICATIONS


FULL SCORES

Gaetano Donizetti
Caterina Cornaro
critical edition Bärenreiter, Masterworks of Italian Opera (BA 8747) publ. 2019

Giacomo Puccini
Messa di Gloria
critical edition Bärenreiter (BA 8956) publ. 2018

Claude Debussy
Images pour orchestre
critical edition Bärenreiter (BA 7888) publ. 2018

Gioachino Rossini
Maometto secondo
critical edition Bärenreiter (BA10517) publ. 2018

Giuseppe Verdi
Aroldo
critical edition Ricordi publ. 2020


VOCAL SCORES

Gioachino Rossini
Maometto secondo Bärenreiter (BA10517-90)

Christoph Willibald Gluck
Alceste (Wiener Fassung) Bärenreiter (BA 5844)
Atto d’Orfeo Bärenreiter (BA 5842)

Giuseppe Verdi
Aroldo Ricordi

Gaetano Donizetti
Caterina Cornaro Bärenreiter (BA 8747-90)

Georges Bizet
Les Pêcheurs de perles Bärenreiter (AE 354-90)

Pjotr Ilyitsch Tschaikovski
Eugen Onegin Bärenreiter (BA 8740-90)

Giovanni Pacini
Malvina di Scozia (Vertical Player Repertory)

NEW TYPESET OF EXISTING VOCAL SCORES

Christoph Willibald Gluck
Orphée et Euridice Bärenreiter (BA 2282-90)
Iphigenie auf Tauris Bärenreiter (BA 5843)
Alceste (Pariser Fassung) Bärenreiter (BA 5848)
Orfeo ed Euridice Bärenreiter (BA 5845)
Armide Bärenreiter (BA 5846)
Iphigénie en Tauride Bärenreiter (BA 5847)

Antonio Salieri
Prima la musica e poi le parole (Anhang) Bärenreiter (BA 8811-90)

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